The measures proposed to improve its environmental performance and comfort have completely transformed its external appearance and its public perception, particularly by younger potential audiences whom the Centre must attract to secure its future. The architecture derives from the weaving of cast glass elements into a textile, a theme taken up by Peter Freeman, who has lit the front, Danny Lane, who has made an extraordinary stainless steel and cast glass bar, and Janet Stoyel, weaver of metal threads and wire.




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